April 7, 2014
In this suspenseful crime thriller from megaseller King (Doctor Sleep), ex-detective Bill Hodges is settling badly into his retirement. Then he receives a taunting letter from someone who claims to be the Mercedes Killer—the media’s name for the hit-and-run driver who, a year earlier, deliberately plowed a stolen car into a crowd at a job fair, killing eight and maiming 15. Hoping to wrap up the unsolved case, Hodges follows the letter writer to an anonymous social media chat site, inaugurating a game of cat and mouse with escalating stakes and potentially fatal consequences. Bill’s antagonist is Brady Hartsfield, a sociopath who is skilled in computers and electronics and who—with a touch of brilliant irony—also operates the neighborhood ice cream truck. Coincidence and luck figure significantly in the final outcome, but King excels in his disturbing portrait of Brady, a genuine monster in ordinary human form who gives new meaning to the phrase “the banality of evil.” Agent: Chuck Verrill, Darhansoff & Verrill Literary Agents.
September 1, 2014
King’s latest foray into suspense is a no-holds-barred cat-and-mouse contest between ex-cop Bill Hodges and Brady Hartsfield, a nerdy, mama’s boy who is also a mass murderer. The two combatants are connected by a homicidal hit-and-run that occurred months before, when Hartsfield purposely steered his stolen Mercedes sedan into a crowd of the unemployed waiting in line for the opening of a job fair. Hartsfield begins to stalk the ex-cop, and sends Hodges a taunting letter. Actor Patton (TNT’s Falling Skies) not only finds the right voices for protagonist and antagonist, but he matches their many mood swings. As Hodges undergoes the moments of elation and travail King has in store for him (the joy of an unexpected romance, the death of a close friend), Patton finds the perfect tone for him. As for Hartsfield, it’s a matter of making him sound like a normal, likeable fellow to his coworkers at an electronics store, but a passive-aggressive monster when conversing with the ex-detective and a full-out lunatic when thinking or talking to himself. Patton’s performing skills are equally impressive for the supporting cast, from Hodges’s elegant and bright new girlfriend to Hartsfield’s boozy, clueless mother. But it’s his compelling interpretations of the two male leads—King’s avatars of good and evil—that distinguish this riveting production. A Scribner hardcover.