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Pavarotti

My World

Audiobook
1 of 1 copy available
1 of 1 copy available

The attraction of opera is in its scale, in the fact that it is larger than real life in actions and emotions, more magnificent in sound and in sight . And in the world of opera, no figure in our time has been larger than Luciano Pavarotti. Especially in his triumphant collaborations with Placido Domingo and Jose Carreras, he has captured the imagination of an audience breadth and depth is remarkable even in the grand context of classical opera. Now Pavorotti has once again joined with William Wright to update his autobiography, Pavarotti: My Story, originally published fifteen years ago. Shared with millions of fans are both the fortunate and the regrettable events that have marked his life to the present day: his forays into popular music, his performances in China and the boos he endured at La Scala.

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    • Publisher's Weekly

      August 3, 1992
      Some 200 photographs, 160 in color and many of them charming family snapshots, combine with an affectionate (but not totally uncritical) text by his wife, written with freelancer Dallas, to spotlight the famed Italian tenor's personal life and commitment to making opera widely accessible. An appealing portrait emerges of a warm, outgoing man with a passion for food (when he cooks, according to his wife, ``there is food on the wall as well as in the dishes, and cleaning up is not his specialty''), friends (during his annual holiday by the Adriatic Sea, as many as 25 people sit down to dinner every night), family, his hometown in northern Italy (the book includes eye-popping pictures of his palatial residence there) and, of course, his art, which he insists is more appreciated by those who line up for hours to buy the cheapest seats than by those who pay top dollar to sit ``down in the suits.'' Adua Pavarotti, who runs a management company that represents young singers as well as coordinates her husband's appearances, doesn't reveal anything particularly new about the tenor or his astonishing voice, but this agreeable, attractively designed book will be enjoyed by fans.

    • AudioFile Magazine
      Pavarotti gives us insight into the hectic and rewarding life behind the operatic stage. With unswerving honesty, he addresses the high and low points of his stunning career. Dukes's first-person narration and soft Italian accent bring the listener close to the magnificent performer and grant an audience into the great man's youth and private life. His narration is so believable that one expects him to burst into song at any moment. When the anticipated aria arrives, it's of disappointingly poor technical quality, belying the talent of the virtuoso tenor. B.L.W. (c)AudioFile, Portland, Maine
    • Publisher's Weekly

      October 2, 1995
      Miami Beach officials reroute air traffic to keep noise from interfering with a Pavarotti outdoor concert; in London, the Prince and Princess of Wales, John Major and scores of others endure a downpour without umbrellas (which are kept furled so as not to block anybody's view of the stage) at a Pavarotti park performance. That's his world. Yet the tenor, again writing with Wright, his coauthor on Pavarotti: My Story, attempts in these pages to project the image of a simple man who disdains being set apart. And he pulls it off. He further disarms us by not dodging the scandals of recent years: his lip-synching rock concert; being booed at La Scala. The book lets us catch up on Pavarotti's doings of the last 15 years, for example, the international vocal competition he holds in Philadelphia, the horse show he inaugurated in Italy, his tours, family, health. An unexpected mean streak surfaces on occasion when Pavarotti relates embarrassing episodes concerning friends who have displeased him. If much of what is covered here is of little moment, readers will find that Pavarotti's exuberance more than compensates for the banal stretches. Photos not seen by PW.

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  • English

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