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See It Feelingly

Classic Novels, Autistic Readers, and the Schooling of a No-Good English Professor

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"We each have Skype accounts and use them to discuss [Moby-Dick] face to face. Once a week, we spread the worded whale out in front of us; we dissect its head, eyes, and bones, careful not to hurt or kill it. The Professor and I are not whale hunters. We are not letting the whale die. We are shaping it, letting it swim through the Web with a new and polished look."—Tito Mukhopadhyay
Since the 1940s researchers have been repeating claims about autistic people's limited ability to understand language, to partake in imaginative play, and to generate the complex theory of mind necessary to appreciate literature. In See It Feelingly Ralph James Savarese, an English professor whose son is one of the first nonspeaking autistics to graduate from college, challenges this view.
Discussing fictional works over a period of years with readers from across the autism spectrum, Savarese was stunned by the readers' ability to expand his understanding of texts he knew intimately. Their startling insights emerged not only from the way their different bodies and brains lined up with a story but also from their experiences of stigma and exclusion.
For Mukhopadhyay Moby-Dick is an allegory of revenge against autism, the frantic quest for a cure. The white whale represents the autist's baffling, because wordless, immersion in the sensory. Computer programmer and cyberpunk author Dora Raymaker skewers the empathetic failings of the bounty hunters in Philip K. Dick's Do Androids Dream of Electric Sheep? Autistics, some studies suggest, offer instruction in embracing the nonhuman. Encountering a short story about a lonely marine biologist in Antarctica, Temple Grandin remembers her past with an uncharacteristic emotional intensity, and she reminds the reader of the myriad ways in which people can relate to fiction. Why must there be a norm?
Mixing memoir with current research in autism and cognitive literary studies, Savarese celebrates how literature springs to life through the contrasting responses of unique individuals, while helping people both on and off the spectrum to engage more richly with the world.
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    • Publisher's Weekly

      July 23, 2018
      Savarese (Reasonable People), a Grinnell College professor, combines his knowledge of literature and personal experience with autism—his son is one of the first nonspeaking autistic people to graduate from college—in this challenging but worthwhile treatise. Passionately opposed to equating autism with intellectual and emotional incompetence, he describes teaching literature to five people from across the spectrum, including Temple Grandin. They also include Tito, who published his first book at age 12 and identifies with the title character in Moby-Dick, and Dora, who did not distinguish between animate and inanimate entities until high school, and compares the way autistic people are commonly viewed to how the androids are viewed in Do Androids Dream of Electric Sheep? In working with Grandin, Savarese self-critically interrogates his preconceptions about getting her to conform to “neurotypical” norms. The book’s writing style can be hard going, full of academic lingo and digressions into etymology and literary theory, but this idealistic argument for the social value of literature and for the diversity of autism as a condition is a rewarding endeavor, nevertheless, in much the same way that a hike up steep terrain can open up to a wondrous view.

    • Kirkus

      July 15, 2018
      A professor gains perspective into the minds of autistics by discussing literature.Savarese (English/Grinnell Univ.; Reasonable People: A Memoir of Autism and Adoption, 2007, etc.), a former neurohumanities fellow at Duke's Institute for Brain Sciences, is the father of a nonspeaking autistic son, labeled as "low-functioning," who has earned a 3.9 grade-point average at Oberlin College. Frustrated with such categories as high-functioning and low-functioning, as well as with assumptions about autistics' intellectual and emotional capabilities, the author devised an investigation centered on reading. He knew that prominent researchers, such as Simon Baron-Cohen, hold that autistics are deficient in both theory of mind ("an awareness of what is in the mind of another person") and "the apprehension of figurative language." Those deficiencies should have impeded his autistic subjects from understanding and connecting with literary works. What Savarese discovered, however, were sensitive, responsive readers. In an impassioned and persuasive memoir of his interactions with autistics, he illuminates the diversity of their emotional, aesthetic, and intellectual experiences; the strategies that have enabled them to articulate their thoughts and communicate (even if they are nonspeaking); and their abiding desire to be recognized as fully functioning human beings with capacities that neurotypicals cannot imagine rather than sufferers from a "relentless pathology." As the author's son once remarked, "autism sucks, Dad, but I see things that you don't see." Focusing on American classics--including Moby-Dick, Leslie Marmon Silko's Ceremony, and Philip K. Dick's Do Androids Dream of Electric Sheep?--Savarese discovered remarkable evidence of empathic connections, contradicting "perhaps the most destructive and defining idea about autism spectrum disorders": autistics' lack of empathy, which "is very much responsible for the stereotype of unfeeling aloneness." Although three individuals he read with "shared certain challenges with speech," the challenges were "as different as the way their sensory systems worked or the way they thought." While the prevalent concept of an autism spectrum "is unfortunately linear and static," Savarese underscores the need to revise such limiting perceptions.A fresh and absorbing examination of autism.

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